To the future!

Yesterday my daughter and I went to see Austenland, a movie that centers around the question, “What if there were a real place where you could step into Regency England and live the life of Austen’s heroines?”

The movie was fun and filled with plenty of Austen references (as you’d expect). The heroes were dashing with just enough mystery to keep the entire piece intriguing. Jane, the intrepid hero reminded me at times more of Jane Eyre, a Bronte heroine rather than an Austen one, but it didn’t bother me in the least.

But it did get me to thinking.

Jane Austen wrote only six major novels (can you name them? See below to see if you’re right!). Yet here we are, 194 years after her death, still entranced by the world she created. Even the Bronte sisters (Charlotte, Emily and Anne) keep hold of our reading interest and they only have one major work each (Match ‘em up! Who wrote what? See below for the answers).

No, I’m not going to ask what you think I’m going to ask. Reams of papers have been written on all four of these women with plenty of analysts giving their thoughts as to why the stories have endured. To me it’s actually pretty simple: good stories and memorable characters.

And that’s what the Scribes write as well. From Tara Nina’s McKinnons to Ruby Storm’s hunky heroes in love, from Tielle St. Clare’s dragons to Cait Miller’s stories of magic, Lynn LaFleur’s wonderful seductions, Arianna Hart’s sexy heroes and my own tales of Dominance and submission, we tell stories. Good stories.

Now, in two hundred years will someone write a fictional getaway based on our books? Why not? After all, a girl can dream!

Answers:

Jane Austen: In publishing order: Sense and Sensiblity, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, and Persuasion

Charlotte Bronte: Jane Eyre

Emily Bronte: Wuthering Heights

Anne Bronte: Agnes Grey

A little murder with your dinner?

I've been writing erotic romance for nine years. In that time I've published 8 short stories, 5 novellas and 6 full-length novels. In each one I have explored some aspect of the D/s lifestyle, from the extreme Master/slave relationship to a simple power exchange between a married couple looking to spice up their love life.

But in all that time, in all those stories, I've never tried a murder-mystery. Well, that's not actually true, I do have a partial mystery sitting on my laptop that I never finished (wrote myself into a corner at 20,000 words and there it sits). It's a hard genre to write in and more focused on plot than relationships. Murder-mysteries have more characters, plot twists and red herrings than I've ever dealt with until now.

So I approached Shooting Star with some trepidation. Could I actually manage all those characters? What about the false clues? Could I successfully hide the true killer until the reveal at the end? I was nervous and excited all through the writing of this novel.

Last week I took the plunge, releasing it as a self-published book. It's already available in all ebook formats and print is coming soon (found some formatting problems in the proof copy. Fixing those and hope to have print copies available shortly). The story involves not one, but two couples (okay, three) who run afoul of one very nasty person intent on killing.

As Sherlock would say, "The game's afoot!" Read the book and leave reviews (on the site or on your own blogs) and let me know if I successfully pulled it off! My next novel is one for the Sweet Spot series and I'm thinking there may be murder prowling the streets of Port Clef if Shooting Star is well-received.

Play safe!
Diana

Doing it

Readers, when you read a romance, do you ever picture someone you know at the hero or heroine? What about you writers - ever base a hero/heroine on a real-life person? I've admitted there are pieces of me in every heroine I write, but what I haven't admitted until now is that my heroes are often people I know, have met, or would like to meet someday.

Yep, the physical appearances of ALL my heroes are based on real-life people. I just find it easier to describe what they look like when I have a real model before me. Much like a painter uses a person as inspiration for his/her work, so do I. Friends, relatives, even celebrities find their doppelgangers in my stories. 

Phillip Townshend, for example (Secret Submission, Submission Revealed and Services Rendered), is a dead-ringer in looks for my own wonderful husband. Jim in Hooked could double for Richard Gere. My current work-in-progress (still unnamed - augh!) uses Hugh Jackman as a model. And the magnificent Dom in Sahara Heat, which releases this week, looks suspiciously like a friend of mine.

Yet the personalities of each character are uniquely their own. Each hero might have trace elements of personality from this person or that, but mostly the guy gets his own due. He stands on his own and owes nothing to nobody. He is his own person who knows what he wants and who he wants it from. And we love him for it.

So what about it? Do you put the image of a real-life person into your head when you read or write?

Play safe, 

Diana

What a week!

I'm late posting because I've been ill. But I'm feeling much better now and today my email brought me something worth celebrating!

You have perhaps read of PayPal's recent decision to stop allowing its services to be used by companies that sell certain kinds of erotica. If the companies did not censor their offerings, PayPal would no longer do business with them. 

Further information then came out that PayPal's change in their Terms of Service (TOS) was actually dictated to them by the credit card companies and banks who decided THEY didn't want to have dealings with certain kinds of erotica. It was the financial institutions who put PayPal in the middle and PayPal made a decision based on their own best business interests.

Enter Mark Coker of Smashwords. In my blog post on this earlier last week, I said that, "If I were an artist, I'd draw him as a knight standing before a pile of books, wielding a sword of words against bankers and investment firms who stand ready with lit matches."

Today I'd adapt that picture to one of him beating back the bankers and investment firms, the wind of his sword blowing out their matches because today, PayPal reversed it's decision. They will NOT be a part of censorship of legal fiction in any way.

Does that mean PayPal has put its own business in jeopardy because its standing up for what it has come to understand is right? You betcha. In Mark's words (from his public letter sent today): "This is a big, bold move by PayPal. It represents a watershed decision that protects the rights of writers to write, publish and distribute legal fiction. It also protects the rights of readers to purchase and enjoy all fiction in the privacy of their own imagination. It clarifies and rationalizes the role of financial services providers and pulls them out of the business of censoring legal fiction."

So here's me beating the drum and recommending to all of you who purchase ebooks: Go to Smashwords. Visit the site and look at the offerings. Many of the Scribes have books there for sale, but so do thousands of other writers. Support this wonderful company that went to bat for our right to read what we want without censorship from Those Who Know Better. You won't be sorry...and you'll help send a message that solidifies PayPal's decision that they did the right thing.

Diana

Sometimes I think NaNoWriMo is designed simply as an exercise in frustration.

Nationa Novel Writing Month (NaNoWriMo) is a movement begun several years ago by a group of writers who vowed to write an entire novel of 50,000 words in one four-week period. The intent was to stop getting hung up on the editing and just let the novel flow out. Editing could happen later.

It was a wonderful idea and caught on with other authors. It spread through genre and age levels and now is a yearly, highly-anticipated event that authors from around the world choose to join. For the past three years I've participated, at least unofficially. I didn't sign up at the official site or join an offshoot group, but this year I've posted about my progress on my blog and Twitter stream. Needless to say, it ain't going so well for me.

I always start out with such high hopes. This year I wrote just over 9000 words the first week which kept me on par to complete 50K by December 1st. But the same problem came up that comes up every year. In my day job, I teach and grades are due by the end of the second week of November. That means I spend every "extra" moment the second week reading essays and senior papers. I worked late this year to get everything graded and came home exhausted. I didn't write but 2000 words the entire week.

Tried to catch up this week and had other RL issues get in the way so that I wrote not one single word on my manuscript. From 9000 to 2000 to 0. I'm more than halfway through the month and less than halfway to the target halfway point of 25,000 words.

The reality is what the reality is. I cannot add more hours in the day (I know, I've tried) and caffeine only gets me so far. I'm not offering these as excuses, but frustrations. Come retirement (2.5 more years, but who's counting?) and I can write 50K every month if I want. Right now, however, I am still squeezing writing time in the odd hours where I can.

I think it's safe to say I won't make the goal this year. I'm considerably further on my current wip, though, and that's always good. It's a full-length work with two couples I'm beginning to like--a lot. I'll be sorry when their story is finished because I enjoy spending time with them. I hope you will, too.

So, for those of you out there still aiming for that magic number -- good on ya! Keep going and I'm rooting for you from the sidelines. Get that novel out of you and onto the computer screen where you can work it in December. I think I can, I think I can, I think I can!

As for me, I'll keep writing but I'm a little less hopeful about getting this novel completed before the end of the month.

Rejected again...

This week I got another editor rejection. Nothing new I hear you say, it happens all the time. Rejection comes with the territory and if you want to be a published author then it's one of the things you just have to deal with. You're right. This is far from my first but for some reason this one affected me more deeply than any others in the past have. So deeply that I had a complete meltdown. There were tears, lots of them. My meltdown even spread to online where I shared my devastation with the whole of the twitterverse. I have no idea why this time it was more painful than any of the rest. Was it the way it was rejected (completely) no 'this was good, but'? One rejection too many? Was it my love for the characters and my belief in their story? The fact that this is the first time in a long time that I had finished something? Or was it everything else in my life that sucked this week just finally getting on top of me?

The proverbial last straw.

Whatever the reason, I was ready to give up. No more writing, it was getting too painful. Why continue with something that used to be enjoyable but was now causing so much hurt? Perhaps I wasn't meant to be a writer after all? And indeed, I haven't written a word since then (twitter doesn't count) until now. I'd like to thank everyone who sent me a message of encouragement, sympathy and empathy or anger on my behalf. Your support means the world to me. Now, almost a week later I am still upset, but not feeling quite so negative. Thanks to all of you, plus a little time and perspective I have decided to get back on the horse after all. Will I have the courage to submit anything again? I don't know yet. Probably. The fact of the matter is that I was a writer before I was published and I'm still a writer now. I am going to try to reclaim the things about it that made me happy before I saw my name on a book. The joy of escaping into a world of my own making, whether anyone else cares about it or not.

those darn games!

Okay, I admit it. I’m an addict. I can’t get enough of my “fix” every day. I use it as a procrastination tool instead of writing, I use it when I’m talking on the phone just to keep my hands busy, I use it as a sleep aid at night to make me drowsy.

What is my addiction? Those silly, little, web-based arcade games. You know them. Bejeweled, Peggle, Jewel Quest, Dynomite. And when I get bored with those, there are always the Spider Solitaire, Free Cell and plain-old Solitaire to play. I’ll sit down at the computer, ostensibly to check my email, and decide to play “just one game” to relax with. An hour later my rear end is asleep and my mouse fingers are freezing and I’m still playing.

So there you have it. My guilty little secret. Those darn games suck me in every time. Granted, because they take so little brain power, the rest of my mind is busy turning over new story lines or working out a bit of dialogue between my hero and heroine. The story file is almost always open just underneath the game window. I’ll write for a while, play for a while (and think), then write for a while.

Of course, my husband always walks in when I’m on the “play for a while” moment…he thinks I don’t write at all. That I just play games every time I tell him I need to get some writing done. How does one explain that one is actually writing even though it just LOOKS like I’m playing Dynomite for the twenty-seventh time this hour?

That’s my excuse and I’m sticking with it. How about you? Have a favorite game/time-waster? I’m always on the lookout for new ones…

For those of you who don’t already know, I live in a theatrical family. Not only do I hold a Bachelor’s in Theatre Arts, but my husband has an MFA in Acting and Directing and directs five shows a year. My daughter plans to major in Theatre Arts in the fall as she starts college (THAT apple didn’t fall far from the tree!). The only one in the house who isn’t “into” theatre is my 16-year-old son who is in his rebellion phase and wants nothing to do with activities his parents enjoy.

This weekend, my husband’s production of Little Shop of Horrors went up; my daughter choreographed and is stage managing it. My son actually went to his obligatory one performance and has asked if he could go a second time because he really enjoyed this one (wonders never cease!). Me? I go to every performance and hold down the fort while trying to keep everyone fed in between writing very hot sex scenes for my newest book.

Little Shop of Horrors began life as a Roger Corman film (1960) with a very young Jack Nicholson in the role of Wilbur Force, the masochistic patient of sadistic dentist Orin Scrivello. When Howard Ashman and Alen Menken rewrote the film as a musical in 1982, it opened off Broadway without that character, but keeping the pain-loving dentist. And when the musical was turned into a movie, another famous face, Steve Martin, made Orin’s sadistic streak famous.

I sat and watched another talented performer play the part these past few nights and let me tell you, Orin is a downright mean, nasty and abusive brute of a man. As he hollered at Audrey (the heroine) and pushed her around, I’m afraid I lost a bit of the comedy. Not because of the acting or the directing, but because of what I write.

You see, I write erotic romance with very strong BDSM themes with a heavy concentration on male Dominance and female submission. And as I watched, I saw a character who crossed the very thin line that separates BDSM activities from those of abusive ones. The jokes about the handcuffs and bruises were cute, until he raised a hand to her and called her a slut in front of other characters on the stage. At that point I stopped smiling and instead, wanted to punch the guy’s lights out. And I know I wasn’t alone.

While I laughed at some of the antics of Orin Scrivello, DDS, there was also a part of me cringing to see the stereotype once more reinforced: all Masters are bastards and all women who submit are dishrags with no self esteem. But in reality, that’s not BDSM, that’s abuse. Unfortunately, too many in the audience will never know the difference. And that’s where this blog post comes in.

As a writer of BDSM erotic romance, I have a duty – a responsibility –to remind people of the line between consensual activities and abuse. The mantra of “Safe, Sane and Consensual” is a good one, although communication is needed to determine the definitions of those terms. “Safe” is pretty easy, but depending on the level of expertise, something one Dom can do with ease, another would be dangerous trying. “Sane” is a word like “normal.” Who defines it? What is insane to one couple is very sane to another. Probably the only word of the three most people can agree on is “consensual.” If both parties agree to it and no force is used in the agreeing, then what they do is their business and no one else’s. Theoretically, anyway.

The problem is, the line is in a different place for each couple. What one man and woman not only tolerate but expect from each other, is very different from what another couple will accept. And that’s why communication is so incredibly important in all BDSM activities. Communication before the scene (so both parties have an idea where the limits are), communication during the scene (you’ll notice my characters often use the traffic signal as a way for the sub to let the Dom know what’s going on in her head; see note 1 below), and communication after the scene (what did both of them enjoy…what will they never do again?).

The language used by those participating in BDSM activities also helps to set the boundaries. “The term "play" is used along with another word to describe the sexual act with all the trimmings: a "scene." Both these terms, derived from the theatre, denote a setting-apart...a definite movement of the action out of real life and into a realm of fantasy” (see note 2). So communication and knowing the vocabulary are vital to keeping the action honest…and not crossing the line into abuse.

If you suspect you’re in an abusive relationship, GET OUT. Stay with a friend, go to a women’s shelter or better yet, pay a visit to your friendly neighborhood police station. But do NOT stay. Abuse and BDSM are not synonymous. The key word, consensual, is missing from an abusive situation. If you don’t like what he is doing, tell him. And if he becomes violent or doesn’t listen, LEAVE. And if you’re afraid of him…then that’s a dead ringer for an abusive situation and again, tell the grocery clerk or the movie usher…tell someone and have them help you get away until the police can be called.

The mainstream media feeds on lurid tales of BDSM activities gone awry or involving celebrities. But the reality is far more mundane. Lifestylers keep their activities quiet lest they be seen as abusers and prey; those truly abused often stay in their relationships far longer than they should.

And Little Shop of Horrors will go on entertaining audiences…and I will go on cringing every time Orin Scrivello, DDS takes the stage….

Play safe!
Diana


(NOTE 1 on the traffic signals: “Green” means “keep on what you’re doing,” “yellow” means “hand on, I need to pause the scene for a moment,” and “red” means “stop right now, don’t go one iota further and get me the heck out of these ropes!” Use them in good health!)
(NOTE 2: Yes, I'm quoting myself. Took that sentence from a previous blog post on my own blog. Scroll to second post of that week. Seemed to sum up what I wanted to say here, too!)

What’s The Story On Storyboarding?

Although I’m sometimes a fly-by-the-seat writer, I’m also one to need structure and organization in a lot of things in my life. I make lists and cross tasks off as I go, I record all sorts of things on the calendar, and I slap Post-It notes up all over the house to help me remember things.

So given my obsession with Post-Its, it was with great interest that I learned of storyboarding a year or so back.

What is storyboarding, you ask? I define it as a sort of visual, colorful way of organizing ideas, scenes, action, and plot elements, or a different way of writing a synopsis or an outline if you choose. Now, let me reiterate I’m sometimes a fly-by-the-seat writer—but at times I’m not. So the use of storyboarding allows me the flexibility to build my books as the mood strikes me. Yet I can also organize, reorganize, shuffle around, delete, insert, or just leave the whole shebang alone if I want, and all at a glance without having a gazillion documents open at once on my puter.

Now from what I understand, each author has their own way of doing it, but I combined a lot of methods and came up with my own recipe that I find works for me…


Ingredients:

1) Post-It (or generic) notepads of at least 5 different distinguishable colors

2) One of the following: A dry-erase board, a chalkboard, the side of a wide shelf or file cabinet, a clear wall, or whatever flat surface is nearby your work area and easily seen and accessible

3) Dry-erase pens (good if you’re using a dry-erase board and like to jot ideas next to your Post-It notes)

4) Colored regular markers


Directions:

In my storyboarding world, I can make each aspect of my story whatever color I like. (I often change the “key” to prevent boredom—LOL.) Some authors color-code the point of view only, or other elements in different ways. It’s whatever works for you. But for the sake of example, let’s do it like this…

Pink = romance and/or sex

Blue = main plot

Green = main subplot

Yellow = secondary plot

Orange = minor subplot

Now, let’s say you have a one-paragraph blurb or short synopsis already written up or in your head, but you need to expand on it. Using one sheet and color per scene, ask yourself what’s going on in the opening scene? Is it mostly sex and romance? Cool, I like getting right to the heat. (evil grin) So then grab that pink Post-It pad and jot down a sentence or two to describe the scene. What’s the major action and change that will occur in this scene? Got it figured out? Good. Now slap that pink baby up on the board. This represents your first scene of chapter 1. For more examples and details, read on…

Scene #1: Whose point of view will this first scene be in? The heroine’s? Okay, pick a colored regular marker to represent your heroine’s point of view and make a pretty little heart (or dot or X or whatever—it’s your creation!) up in one corner of that first pink Post-It paper. This allows you to later tell at a quick glance which character the scene’s POV is driven from, and overall how many POV scenes each character has throughout the book.

Scene #2: The villain bursts in and starts shooting the hero, you say? Ah, being the creator, only you know for sure, but I just bet that’s related to the main plot. Blue. Grab the blue note pad and jot down the plot’s action and change you plan for this scene. Stick it up on the board next to the pink note (scene #1). Oh, and it’s in the hero’s POV? Yep, pick a regular marker color (distinguishable from the heroine’s) to represent the hero’s POV and add a little symbol in the upper corner of this blue Post-It.

Scene #3: Whoa, in burst the heroine’s best friend. She has an entire past with the shooter, and you plan to eventually unravel and weave it into the h/h’s plot and conflict. Since you know it’s going to have a strong influence on the main plot, that’s probably green. Jot the best friend’s actions and scene changes/events on the green dude, and up it goes on the board next to the blue dude (scene #2). Wait, whose POV are we in? The friend’s? Then pick yet another colored regular marker and make yourself a little symbol in the corner of the little green sheet that will represent Miss Friend’s point of view from now on. Later on, you might see with just a quick count that she has 10 POV scenes to every 5 of the heroine’s. See how that works? Now you know you’ve got to either quit giving Miss Friend so much stage time and change some POVs in those scenes, or it needs to be her book instead of the heroine’s. LOL

Scene #4: And so on it goes as the plot deepens.

Hopefully, that all made sense. Once you’ve got the whole story on Post-Its and synopsed (I think that’s a new form of the word synopsis I just made up – grin), step back and take a look at your artwork. Now suppose that in one glimpse, you suddenly realize the whole damn board is freakin’ pink. WTF? Are they screwing like rabbits? Isn’t there any plot other than sex? Gee, it sure didn’t seem that way when you were writing the short blurb, did it? So here’s where you pull a Titania: You shuffle, move, reorganize scenes, delete or add scenes, rip up Post-Its, rewrite some of the notes…or start all over.

Another thing you can do is get out the dry-erase markers (if you’ve used a dry erase board, that is) and, next to or below/above each Post-It, identify the date, time, or location of that scene, or do extra little things like find your black moment and mark it with a special star so you can work up to that scene while keeping up your pacing.

There are many at-a-glance advantages to developing your own storyboarding methods such as “seeing” your pacing, being more aware of the number of POV scenes each character is allotted, getting a better feel for book length/time/day of the scene, where the focus is in that particular scene (i.e. the main plot, subplots, etc.), if you have too much or not enough of something such as too much romance and not enough plot, things in the wrong order, or whatever. You can begin combining scenes (and thus Post-Its) to tighten it up, or adding more to expand, or rewriting a scene in a different character’s POV, etc. Another advantage is that you can skip around easier than with a regular document and write your scenes in different orders, piece them together later, and yet not get confused because your visual board is keeping you on track with one sweeping glance.

Whoa, and believe me, I need all the help I can get to keep from getting confused!

So what do you think? Gonna give it a try? Have you ever used the storyboarding method to outline or plot a book? If so, how do you do it? If not, and if you plan to give it a try, please come back and let us know how it goes!

Titania Ladley (aka Roxana Blaze) is a multi-published erotic romance author writing for Ellora’s Cave, Red Sage Publishing, and Samhain. Please visit her websites for hot excerpts of her two new April releases, FIRES WITHIN and BREATHLESS.
http://www.TitaniaLadley.com
http://www.RoxanaBlaze.com
Burning bedroom doors right off the hinges!